Thomas Ntinas

Sunday 7 June 2015

Collette Cooper - City of Sin: Akademia Music Awards Best Jazz Album‬ 2015

Saturday 11 April 2015

Recording Manflu's ''Epdemic'' E.P.

Mastering Lilies On Mars album ''Wish You Were A Pony

Friday 10 April 2015

Mastering Dalot's ''Flight Sessions'' E.P.

Thursday 9 April 2015

Recoding, production, mixing & mastering Cloudcub's albums ''Friendly Warning'' & ''Big Noises, Little Sounds''

Wednesday 8 April 2015

In process of recording mixing and mastering Freddy Macha's new album

Tuesday 7 April 2015

Working with the band ''Talk In Colour'' in their live sound

Monday 6 April 2015

Recording, Mixing & Mastering Knievel Dead's ''Psychosis'' E.P

Sunday 5 April 2015

Recording and mixing Brassroots album ''Black Eye Friday'

Saturday 4 April 2015

Mixing the beautiful music of Rocket Number Nine

Friday 3 April 2015

Gabriel Prokofiev / Non-Classical

Thursday 2 April 2015

Recording & mixing Marmaduke Dando's albums ''Heathcliffian Surly'' and ''Sweet Dregs'',

People are Saying

Thom is a dream to work with in the studio. Always keeping us at ease and solving technical problems swiftly and effortlessly pulling great sounds. His intuition in critical moments and has proved invaluable to us.
Marmaduke Dando

Despite endless tweaks and post-midnight sessions, Thom surpassed our expectations with unequivocal grace. He can undoubtedly hear if a pin drop is off key, at 20 paces, in another room, full of gabling geese, with kazoos. Ηighly recommended.
The Knievel Dead

Knowing what Thomas is like at work. I wouldn't hesitate to work with him again. He always has a positive can do approach to challenges he is faced with.
Michael Pacheco, Freelance Audio Engineer - Sound Designer and Composer.

Thom is a very talented and knowledgable individual with a wide range of experience in the audio engineering field. I could not recommend him enough!
Jim Bryden, Operations Manager at Alchemea

Thom Ntinas is a sound mixer and engineer that I've known since 2002 in London, UK. Thom is fortunate to be both an excellent musician and a superb engineer, bringing his sonic expertise to every project he touches. He did the mastering on my 2010 album ("Flow" by Ichigatsu,) which was challenging, since it had been recorded over two years and with many different systems, computers, mics and locations. During the mastering process, he was in constant contact with me about the mastering, making important suggestions about the recordings and how they could be improved. On his advice, I made some adjustments to two of the songs and the final result was much improved. I currently live in the US, and it was just as easy to work with Thom from a distance as it would have been had I been in the UK. He is an attentive communicator.
I highly recommend Thom as a unique sound engineer who understands the subtlety and nuance of sound and recording. He has an ear that appreciates and respects many different realms of music, balanced with a head for precision and exactitude. Music comes alive in Thom's hands.
John Biebel, Senior User Experience Designer at Pearson

Thom has engineered on many occasions for us and we don't like to gig without him! Thom helps both with front of house sound and with on stage monitors and it's great knowing that someone has got our back for what is a very complex set up, mixing both acoustic and electronic instruments and live drums. On the occasions when we have had to use the house engineer, Thom has been on hand to advise with levels and setting up the desk. Having Thom on board allows us to concentrate on our performance rather than worrying about how things sound out front!
Talk In Colour